Books and Catalogues

EXHIBITION CATALOGS

2022, 109th Annual Exhibition, Allied Artists of America, Inc. page 45 & 46, Online Associate Grand Prize Winner – Holly Lane, viewable online May 15, 2022 – May 15, 2024


Glick, Helaine, Unexpected Friends, Holly Lane, Winfield Gallery, Carmel, CA, Aug. 26 – Sept. 23, 2022.

Glick, Helaine, Holly Lane; Indwelling Nature, Winfield Gallery and Fresno Art Museum, January 27-June 10, 2018.

Aster, Joshua and Calabrese, Kristin, Finds; The Unusual Object, Fellows of Contemporary Art, Los Angeles, CA January 2012, pgs. 29-35

Yerman, Marcia G. & Steinem, Gloria, The Feminist Figure Forum Gallery, The Feminist Art Project
April 5,- May 5, 2007 pgs. 16 -17

Forum Gallery, NYC, Holly Lane, The Benefits of Pond Wading, and other Musings
April 19-May 26, 2006

Farb-Hernandez, Jo, The Transformative Crossing: Small Miracles, San Jose State University, San Jose, CA
April 24 – May 18, 2001

Hagerty, Donald, The New New West, New Art of the West 7, The Seventh Eiteljorg Museum Biennial Exhibition
Indianapolis, IN
May 6 – August 7, 2000, pgs. 12, 32-33

Roznoy, Cynthia, Beauty of the Beast, Animal Tales: Contemporary Bestiary and Animal Painting
Whitney Museum of American Art at Champion, Stamford, CT November 21, 1997- February 25, 1998, pgs. 6-7

Schjeldahl, Peter, Myths & Magical Fantasies
California Center for the Arts Museum, Escondido,
October 27- 1996- February 2, 1997, pgs. 19, 26

Tully, Judd, Pictures on the Edge: The Narrative Images of Holly Lane, Holly Lane: A Survey.
Art Museum of Southeast Texas, Beaumont, 1995

Wicks, Stephen C., Into the Forest of Visions,
Knoxville Museum of Art, Knoxville, TN,
March 16- June 13, 1993, pgs. 9, 48-51

Young, Dede, Destiny Manifest: American Landscape Painting in the Nineties
Harn Museum of Art, University of Florida, Gainesville, Florida, November 24, 1996 -March 31, 1997, pgs. 11, 19

CITED IN TEXTBOOKS AND BOOKS:

Burguete, Maria & Lam, Lui, (Eds), Arts a Science Matter, Singapore, World Scientific, 2011, (pp.180-203,
“From Curiosity to Creation: The Art of Holly Lane”)

Gamwell, Lynn, ed. Dreams 1900-2000: Science, Art and the Unconscious Mind. Ithaca, NY: Cornell University Press, 2000, pg. 250

Grieder, Terence, Artist and Audience, 2nd Edition, Brown & Benchmark, London, 1996 pg. 493

Moyers, Bill, Genesis: A Living Conversation, companion to the public television series, Double Day, NY 1996, cp.14

Moyers, Bill, Healing and the Mind, companion to the public television series, Double Day, NY 1995, pg. 141

Selected Website Listings

ONLINE PUBLICATIONS: Articles, Blogs, Media and Podcasts: (chronological)


"Secrets", Short Takes, Persimmon Tree, Fall 2021 issue, publisher Jean Zorn, https://persimmontree.org/fall-2021/secrets-short-takes/


Dewitt Cheng, "Three Powerful Solo Shows at Fresno Art Museum", ArtOpticon.us, March 23, 2018
http://artopticon.us/three-powerful-solo-shows-at-fresno-art-museum

Antrese Wood, "The Savvy Painter" podcast. "Inspired Art Framework, with Holly Lane, Interview, March, 23, 2017, https://savvypainter.com/podcast/inspired-art-framework-holly-lane/

John Sebastian, Holly Lane; Sculpture, Carved Frames, The New York Optimist, January 29, 2017
http://www.thenewyorkoptimist.net/holly-lane-sculpture.html

Steve Shriver, "Borderlands: An Interview with Holly Lane by Steve Shriver", The Frame Blog, February 9, 2016
http://theframeblog.com/2016/02/09/borderlands-an-interview-with-holly-lane-by-steve-shriver/

Gabriela Gonzalez Dellosso, "Holly Lane's Exquisite Universe", The Sankofa Review, May 14, 2015, http://sankofareview.com/category/international/

Alison Meier, At Metro Curates Fair, Ceramic Poodles, Secret Society Chairs and Everything in Between,
Hyperallergic.com, Jan. 23, 2015,
https://hyperallergic.com/176724/at-metro-curates-fair-porcelain-poodles-secret-society-chairs-and-everything-in- between/?fb_action_ids=913027188729391&fb_action_types=og.likes

Andre Conti, "Gothic Gallery Glory", The Cuestonian, March 5, 2015, http://www.cuestonian.com/gallery-glory/

Sky Tallone, "Holly Lane & Herman Miller Under One Roof", SFWIRE, August 7, 2013, http://www.sfwire.com/holly-lane-herman-miller-under-one-roof/

Ashely Gardini, "On Now at the Museum of Craft and Design", Art Nerd San Francisco, July 25, 2013, http://artnerd.com/sanfrancisco/on-now-at-the-museum-of-craft-and-design/

Dara Kerr, "S.F. Agenda: Design and Arts Events in the Bay Area", 7x7SF, July 29, 2013, http://www.7x7.com/style-design/sf-agenda-design-and-arts-events-bay-area-1

Alan Bamberger, "San Francisco Gallery Openings 7/19/2013", Art Business, July 19, 2013, http://www.artbusiness.com/1open/071913.html

Ryan Davis, "Exhibition of Surrealistic Allegories at Museum of Craft and Design", SF Fine Arts Museums Examiner, June 27, 2013, http://www.examiner.com/article/exhibition-of-surrealistic-allegories-at-museum-of-craft-and-design

Jason Lahman, "Like a Golden Allegory: Holly Lane’s Bright Monuments to Epiphany and Eureka", ART21, Dec. 30, 2011, http://blog.art21.org/2011/12/30/like-a-golden-allegory-holly-lanes-bright-monuments-to-epiphany-and-eureka/?mid=5684

Pam Grossman, Holly Lane, Phantasmasphile, July 14, 2006 http://www.phantasmaphile.com/2006/07/holly_lane.html

Frank Fitzgerald, Welcome to Nocturnia, Time Warner Cable, Manhattan, aired October 16, 1993

Marcia Yerman, Women in Art, Time Warner Cable, Manhattan, aired:
October 16 & 19, 1993
February 15 & 16, 1994

Pamela Michaelis, Wingspread Gallery News on Radio, aired May 10, 1990, 96 Classical KHFM, 90.37
Articles and Reviews

ARTICLES AND REVIEWS

California Homes, The Magazine of Architecture, the Arts & Distinctive Design, September/October 2022,
Winfield Gallery - Carmel, "Holly Lane, Unexpected Friends", page 26.

McKenzie Graham, Austin Williams, Artists Magazine, December 2018, pgs. 74-79. "Shining a Light on the Dark", Four artists explore the light in nocturnes, finding unique beauty in its many temperaments.

"Frame Stories", In Perspective, Art & Antiques, February 2018, Volume XLI, #2, pg. 34.

John O’Hern, "Unfolding Visions", American Art Collector, January 2018, Issue 147, pgs. 56-59

Barbara Krupp-Selyem, Unique Experience, Unique Art, CGEHS Chronicles, Meet our Member, Summer, 2013, Vol. 17, #4, pgs. 3-6

Edward Leffingwell, Holly Lane and Cybele Young at Forum, Art in America, May, 2010 pgs. 160-161

Ken Greenleaf, The Phoenix, The Birth of a Museum, March 3, 2010

John Goodrich, The New York Sun, The Contemporary Landscape, Review, July 5, 2007

Susan Harris, Art in America, The Feminist Figure at Forum, Reviews, June/July 2007, pgs. 200-201

The New York Sun, Calendar, Tuesday, May 2, 2006, page 14, (color repo.)

Julia Morton, Land Equals Power, New York Press, Vol. 17 #33, August 18-24. 2004, pg. 44

CAA Newsletter, Solo Exhibitions, July 2003, pg. 8 (photo)

The New York Sun, Calendar, Tuesday, May 27, 2003, pg. 18 (photos)

The New York Times, Art and Leisure Guide, Sunday, May 25, 2003, pg. AR31

Mary Schneider Enriquez, Holly Lane, New York Reviews, ARTnews, December 2001, pgs. 142-3

Antiques and The Arts Weekly, Lyman Allyn Art Museum To Open Holly Lane Exhibition October 16, New London, CT, October 12, 200, pg. 32

Ken Johnson, Art Guide, Last Chance, Holly Lane, The New York Times, October 5, 2001, pg. E30

Ken Johnson, Art in Review, Holly Lane, The New York Times, September, 28, 2001, pg. E37

The New Yorker, Reviews, Goings On About Town, Galleries Uptown, Holly Lane, Oct. 8, 2001

Berin Golonu, Holly Lane, Previews, Artweek, April 2001, vl 32:4, pg. 6

Anthony DiMaggio, Holly Lane, Schmidt Bingham Gallery, Review, September 15, 1999 pgs. 8-9

Vivien Raynor, Show With Images of Food, but Not for the Hungry, The New York Times, April 26, 1998
pg. We 20

Georgette Gouveia, The Art of the Meal: Center exhibits a passion for food, Lifestyles review,
Gannet Newspaper, Pelham, NY, Thursday, April 9, 1998

Tracy O’Shaughnessy, Artists paint ferocity, divinity of animals, The Waterbury Republican-American, Waterbury, CT, Sunday, January 18, 1998

Jeff Gordon, Reviews: Holly Lane, NY Arts Magazine #15 November/December 1997, pg. 24

Vivian Raynor, A show Celebrating Icons, But Not Just Figural or Sacred, The New York Times, December 22, 1996

Georgette Gouveia, Free Exhibit Explores Icon Images, Gannett Newspapers, November 18, 1996

Andrea Caruso, Three Angles on Nature Offered at Kennedy, The Athens News, October 31, 1996

Terence Grieder, Artist and Audience, 2nd Edition, Brown & Benchmark, London, 1996 pg. 493

The New Yorker, Goings On About Town, August 5, 1996, pg. 14, Peep Show listing

George Melrod, Openings, Altarpieces Mix With Alter Egos, Art & Antiques, September, 1995, pg. 37

Paulette Weiss, Where: New York, Fish and Ice Cream on 57th Street, September 1995, pgs. 26-27

Mixed Media, Southeast Texas Arts Council, In the World of Art, At the Art Museum,
Frames of Mind, May 1995, pg. 4

Beaumont Enterprise, Weekend, Holly Lane's Art Poses Philosophical Questions, Friday, May 5, 1995, pgs. 1 & 4

Diane Di Costanzo, Dialogues: On and Off the Wall, Reviews - New York, ARTnews, November 1994, pgs. 158-9.

Ruth Porritt, Holly Lane, Schmidt Bingham Gallery, Art Papers, January/February, 1994, Vol. 18, #1, pgs. 47-48

The New Yorker, Goings On About Town, September 27, 1993, pg. 18, self-portrait and show listing

Katherine Gregor, Holly Lane Frame and Fiction, ARTnews, Summer 1992, pgs. 63-64

Fredric Koeppel, Reviews, The Commercial Appeal,
Memphis, TN, January 12, 1992

Simone Ellis, Santa Fe Letters, Contemporanea International Art Magazine, December 1990, pg. 34

Les Krantz, ed., American Artists, ed. II, American References, Chicago, IL, 1989

Theodore F. Wolff, How Nature Engages, Challenges, and Inspires Artists, The Christian Science Monitor, Friday, June 29, 1990, pg.11

Fredric Koeppel, Artists Defend Nature With Celebration, The Commercial Appeal, Memphis, TN,
Sunday, June 3, 1990, pgs. G1-2

Simone Ellis, Gallery Hopping - Holly Lane at Rutgers Barclay Gallery, The Santa Fe New Mexican,
Pasatiempo, May 11-19, 1990, pgs. 13 + 14

John Gwynn, Capturing the Lost Language of Animals, The Santa Fe New Mexican, Pasatiempo, May 4-10, 1990, pgs. 16 + 26

Terri Cohn, Looking Homeward, Art Week, March 18, 1989, Vol 20, No. 11. pg. 5

Roberta Floden, The Feminism is Unintentional, Pacific Sun, Arts Section, March 3, 1989

K.J. Jorgensen, All Creatures Great and Small, Stray Magazine, November 1988, pgs. 8-9

PRESENTED AT CONFERENCES, SYMPOSIUMS and EXHIBITIONS (presented by Holly Lane unless otherwise specified)

June 2019 - Society of Gilders 2019 Annual Conference, St. Paul, MN, included in Keynote: Lynn Rutters,
“Gliding in Fine Art”
March 2015 - Cuesta College, San Luis Obispo, CA Artist’s Talk, Experimental Theater, in conjunction with
The Harold J. Miossi Art Gallery solo exhibition: Fortuna’s First Assignment and Other Musings,
Painting and Sculpture by Holly Lane.
April 2013 - Salon Panorama, San Francisco CA, Artist’s slide lecture, also presenting; Erling Wold, Opera
Composer.
October 2001 - Lyman Allyn Art Museum, Connecticut College, New London, CT Artist’s slide lecture in conjunction
with traveling solo exhibition: Small Miracles
June 2001 - Yellowstone Art Museum, Billings, MT, Artist’s slide lecture in conjunction with traveling solo
exhibition: Small Miracles
April 2001 - San Jose State University, Natalie and James Thompson Art Gallery, Art History Lecture Hall,
Artist’s slide lecture in conjunction with traveling solo exhibition: Small Miracles
March 1999 - Marquette University’s Fifth Annual Women’s Studies Conference: Women and Creativity: II
Women as Artists and Subjects: “Mary Magdalene as Proto-Ecofeminist in the Visual Art of Holly
Lane”, presented by Dr. R. Porritt of West Chester, University, PA
May 1995 - Art Museum of South East Texas, Beaumont TX, Artist’s slide lecture in conjunction with solo
exhibition: Frames of Mind
April 1995 - Society for Women In Philosophy Conference, Lexington, KY, “In Wilderness: Ecofeminism
in the Visual Art of Holly Lane”, presented by, Dr. R. Porritt of West Chester University, PA
INDIVIDUAL ARTWORKS REPRODUCED IN:

REPRODUCED IN:

"And So It Began", 2005

- Art in America, May 2010, pgs. 160-161 (color)
- The New York Sun, Calendar, Tuesday, May 2, 2006, pg. 14. (color)


"Before Nightfall", 1994

- Destiny Manifest: American Landscape Painting in the Nineties. Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL 1996, pg. 19. (color)


"Come Breathe Hopeful Air", 1995

- ARTnews 200, special issue (Summer) 1995, pg. 9. (color)


"Come By Night", 1998

- New Art of the West 7, Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN, 2000, pg. 32-33. (color)


"Death and the Maiden", 1998

- CAA News, September 1999 volume 24, # 5, pg. 11. (B&W)


"The Ecologist's Secret", 1991

- Peter G. Brown, Glasnost in Green, Quanta - Recent Sightings, The Sciences, New York, NY, July/August 1993, pg. 6. (color)
- ARTnews, September 1991, pg. 29. (color)


"The Eleventh Hour", 1989

- Contemporanea, December 1990, Santa Fe Letters, pg. 34. (color)


"Faculty Group Portrait", 2009

- CGEHS, Chronicles, Summer 2013, vl. 17:4, pg. 5. (color Online, B&W print)


"The Fall of Icarus", 1993

- Women Artists 1995, appointment calendar, Cedco Publishing Co., San Rafael, CA, (color).
- ARTnews, September 1993, pg. 23 (color).


"The Flower of Four Rivers", 1998

- ARTnews, September 1999, pg. 9, (color)


"Forest Lustration by the River Lethe", 2011

- CGEHS, Chronicles, Summer 2013, vl 17:4, pg. 4. (color Online, B&W print)


"Fortuna’s Early Formative Years in the South of France", 2000

- The Notre Dame Review, Icons and Incomings, Summer 2007, Front and Back Covers, (color)
- The New York Sun, May 27, 2003, pg. 18. (color)


"Fortuna’s First Assignment", 2013

- CGEHS Chronicles, Summer 2013, vl 17:4, pg. 3. (color Online, B&W print)


"Gaia Inquiries", 2000

- Artweek, April 2001, vl 32:4, pg. 6.


"Gentle Muse", 2010

- CGEHS Chronicles, Summer 2013, vl 17:4, pg. 6. (color Online, B&W print)


"The Inland Passage: Or, Tactfully Assessing Dubious Cartographic Advice", 1995

- Women Artists 1998 wall calendar, (March), Cedco Publishing, San Rafael, CA (color)


"The Long Awaited Day Finally Came", 2004

- The New York Sun, Calendar, Tuesday, May 2, 2006. pg. 14. (color)
- ARTnews, April, 2006 pg. 5. (color)
- New York Gallery Guide, May 2006 pg. 98. (color)


"Love Song for Her Last Hour", 2006

- The Phoenix, Boston-Portland-Providence, and the Phoenix. Com, March 3, 2010. (color)


"Mary Magdalene in the Wilderness", 1993

- CAA News, May/June 1995, pg. 10. (B&W)


"Mary Magdalene Sharing the Benefits of Long Arms and Thumbs", 1997

- The New York Times, August 31, 1997, Listings, Arts & Leisure.
- NYarts Magazine, #15 November/December 1997, pg. 24. (B&W)


"Melancholia", 1992

- Women Artists 1996 Calendar, (June) Cedco Publishing, San Rafael, CA. (color).


"The Mooring Hour, When Sky is Nearer than Skin", 2009

- CGEHS, Chronicles, Summer 2013, vl 17:4. pg. 4. (color Online, B&W print)


"On Occasion Small Birds Come Here Too", 1994

- Women Artists 1997 Datebook, (September) Cedco Publishing, San Rafael, CA. (color)


"The Reluctant Traveler Sets Forth for the Isle of Love", 1993

- Veranda, May-June 2001, pg 232. (color)


"The Reply", 1993

- Private Arts, volume #10, October, 1996, cover, back & frontispiece. (color, B&W)


"Seedeater with an Itchy Foot", 1991

- ARTnews, Summer 1992, pg. 64. (color)


"She Decided to Return the Loathsome Gift", 1992

- Bill Moyers, Genesis: A Living Conversation, Doubleday 1996, book accompanies PBS series. (color)
- Art in America, July 1993, pg. 15. (color).
- Art Papers, January/February 1994, pgs. 47-48. (B&W).
- The Wilson Quarterly, Summer 1998. (color cover).


"The Solitary Witness", 1994

- Museum Views, Summer 1995, back page. (B&W).


"Sorrows of the Young and Clumsy", 1991

- ARTnews, Summer 1992, pg. 63. (B&W)


"The Splash Down of St. Sapia", 1995

- ARTnews, September 1995, pg. 9. (color).
- Artist and Audience 2nd Ed. Terrence Grieder, Brown & Benchmark Pub. London, 1996 pg. 493. (color)
- The Forensic Examiner, September/October 1996.


"Summer Plans for Cognitive Augmentation", 2008

- CGEHS, Chronicles, Summer 2013, vl 17:4, pg. 4. (color Online, B&W print)


"Then They Would Gaze Into The Pool", 1989

- The Christian Science Monitor, Art Review, Friday June 29, 1990, pg. 11. (color)


"The Toil of Sleep" 1997

- ARTnews, September, 1997 pg. 9. (color)
- The Sciences, September/October, 1998, pg. 16. (color)


"Unseen Rewards of Labor First Spotted by a White-bellied Caique", 1995

- ARTnews, May 1995, pg. 30. (color)
- Art & Antiques, September 1995, pg. 37. (color)


"Upon Her First Ascent of the Dome: Recollections of A Blind Deer", 1999

- ARTnews, Summer 1999, pg. 9. (color)


"Upon Waking", 2003

- ARTnews, May 2003, pg. 7. (color)
- The New York Sun, May 27, 2003, pg. 18. (color)
- CAA Newsletter, July 2003, pg. 8. (B&W)


"Valetudinarian Aided by the Labors of Plants and Bugs", 1991

- Bill Moyers, Healing and The Mind, Doubleday, New York, 1993, pg. 141. (B&W)
- CAA News, November/December 1991, pg.10. (B&W)
- Sue V. Rosser, The Gender Equation, The Sciences, New York Academy of Sciences, New York, NY, September/October 1992, pg. 42. (color)


"The Visitation", 1995

- Women Artists 1998 Datebook, (December)Cedco Publishing, San Rafael, CA. (color)


"The Well-Traveled Mind", 2006

- CGEHS Chronicles, Summer 2013, vl 17:4, pg. 5 (color Online, B&W print)


"The Well-Traveled Mind Prepared for Sea Level Rise", 2012

- CGEHS Chronicles, Summer 2013, vl 17:4, pg 5 (color Online, B&W print)